1983 Movies

Through multiple artistic phases of the tireless creative, Camilo Egas, the documentary pays tribute to the painter and his time.

Les tournesols colorés is derived from the same footage used in Les tournesols, but with candy colors, giving other modulations to movie movements. Th...

How will services for the elderly be in Milan in 2000. The welfarist attitude will be overcome.

A Tahiti is a rugged, forest-clad South Pacific island, surrounded by coral reefs. Its traditional Polynesian way of life has been swamped over the ye...

"A single shot, taken from Douglas Sirk's film ALL THAT HEAVEN ALLOWS (1955),in which we see the camera pull out from Jane Wyman's tearful face as sh...

"My moving-visual response to William Blake's "The Marriage of Heaven & Hell," this hand-painted film seems the most rhythmically exact of all my work...

A collection of NASA films, from Project Mercury to the Space Shuttle.

Behind the scenes at Selfridges, a department store on Oxford Street, London.

This experimental film is constructed from still photos of the violent protests in response to then-US President Ronald Reagan’s visit to (West) Berli...

The film shows the fate of a person who, in his brave work, ordinary efforts, after a bit of luck, encountered misunderstanding, selfishness, careeris...

A man rehearses for an emergency—the dry swimmer, his technique is good, he must be very fast. Only the water still causes him difficulties, it confus...

"You are not fit to be a citizen of the United States," said a U.S. Representative to Werner Marx, German-Jewish refugee, distinguished sailor in the...

FLAP (1983) is a very direct approach to moviemaking. A 3x5 card waved in front of the line of a projector beam, shot from a perpendicular angle to th...

A television photographer is commissioned by his boss to take still photos of diseased trees for a documentary. On location, he observes a mysterious...

If Frankenstein's Monster is to the dark side of science, King Kong is to the Great Depression, Alien Invaders (like The Blob and The Thing) is to the...

A splice-less, text soliloquy acknowledging an unknown, random audience of one I'm sharing this film with. Originally shot in b&w, the digital version...